Yep - that's exactly what I'm doing. I'm switching between wide & 4:3 format and looking for the fat heads or the skinny faces. Mind you, it took several attempts with Tubridy to work out which skinny face was the right one.extopia said:Here's how to tell if you are getting real widescreen. Put your widescreen TV in 4:3 mode. If the picture looks distorted (skinny) you're watching an anamorphic widescreen source. If it looks correct, it's a 4:3 source.
extopia said:You're probably thinking that a letterboxed movie is true widescreen. It just means that the wide source has been reformatted to fit a narrower format. Note that you still get letterboxing on most movies however as the standard movie format is 2.35:1 which is wider than the TV widescreen format (16:9) -- just to add to the confusion.
RainyDay said:...of the 3 movies mentioned above, one was letterboxed and two were not, but all were widescreen.
extopia said:I am getting my info re NTL digital/widescreen from my own experience as an NTL digital customer with a widescreen TV. I also know several other NTL digital subscribers.
extopia said:The US dramas you mention are all broadcast on NTL digital in true anamorphic widescreen. No credit cropping results here, unlesss the TV and/or digibox is set up incorrectly, or is faulty. In the analogue world, however, a widescreen TV set to zoom or smart mode (depending on the make and model) could well crop the credits.
extopia said:You mentioned Turbridy Tonight earlier as being in 4:3 in your house. Like the vast majority of RTE prime time programmes (with the exception of News), Tubridy Tonight is broadcast on NTL digital in anamorphic widescreen.
extopia said:That's an interesting response from NTL. It implies that analogue customers receive widescreen broadcasts. However, NTL does not broadcast any anamorphic signals on analogue. They broadcast letterboxed widescreen, which is not true widescreen as it does not take advantage of your TV's full resolution, and as it is 14:9 it crops the picture.
extopia said:Did you do the simple "forced 4:3 mode" test I suggested? What was the result?
No difference in the position of top border when in widescreen model and in 4:3 mode
MonsieurBond said:I must say however that I have noticed the same effect that RainyDay has encountered on my 17" LCD widescreen in my bedroom, which is connected to NTL Analogue.
extopia said:Do you mean the cropping? I suppose it's normal then. These programmes originate in 16:9 widescreen. When they are 14:9 letterboxed at the television station (nothing to do with the 14:9 setting on your TV), obviously one eighth of the picture is thrown away. That normally would not be enough to crop credits, which are generally placed well away from the edges of the picture to prevent "overscan" cropping... but if you have your TV in "zoom" you would crop even more off the edges, so that might cause this. Rainyday sees it on a 4:3 set though (no zoom mode), so maybe that's not it... Bit of a mystery! Never watch the analogue signal these days so haven't noticed this myself. Could well be a problem at the transmission end -- this would happen for sure, for instance, to a 16:9 programme transmitted in pan-scan mode, i.e. fully a quarter of the image cropped into a full-height, unletterboxed 4:3 image.... Who knows?
Excellent link, by the way. Explains it far better than I can!
extopia said:If you put your widescreen TV is in 4:3 mode you see the pic as it would be seen on a 4:3 TV. In other words you see the entire analogue signal. If there's cropping there, it's the way it's being broadcast.
At RTE, the native anamorphic broadcast is fed through an aspect ratio converter before being sent out on analogue, This reformats the picture to the letterboxed 14:9 mode that analogue viewers see. Sometimes the guys in the control room forget to hit the switch (or hit the wrong switch) so that could explain this problem too.
Surely it makes very little difference whether RTE convert the signal or my TV converts the signal. The real issue is what was the original material shot in. If it was shot in widescreen, then it will come through in widescreen (14:9 or 16:9) - If it was shot in 4:3, then it will come through in 4:3.extopia said:At RTE, the native anamorphic broadcast is fed through an aspect ratio converter before being sent out on analogue, This reformats the picture to the letterboxed 14:9 mode that analogue viewers see. Sometimes the guys in the control room forget to hit the switch (or hit the wrong switch) so that could explain this problem too.
RainyDay said:Surely it makes very little difference whether RTE convert the signal or my TV converts the signal. The real issue is what was the original material shot in. If it was shot in widescreen, then it will come through in widescreen (14:9 or 16:9) - If it was shot in 4:3, then it will come through in 4:3.
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